Friday, June 6, 2008

Hoffman dying swan painting

Hoffman dying swan painting
Avtandil The Grand Opera painting
Pino Angelica painting
Picasso Two Women Running on the Beach The Race painting
Perrin Marc, a money-changer’s assistant and a vile assassin; but the two marshals had forced the doors of the Church of Saint-Méry— therein lay the enormity of the transgression.
According to tradition, these places of refuge were so surrounded by an atmosphere of reverence that it even affected animals. Thus Aymoin relates that a stag, hunted by King Dagobert, having taken refuge beside the tomb of Saint-Denis, the hounds stopped the chase and stood barking.
The churches usually had a cell set apart for these refugees. In 1407, Nicolas Flamel had one built in Saint-Jacques-de-la-Boucherie which cost him four livres, six sous, sixteen deniers parisis.
In Notre-Dame it was a cell constructed over one of the side aisles, under the buttresses and facing towards the cloister, exactly on the spot where the wife of the present concierge of the towers has made herself a garden— which is to the hanging gardens of Babylon as a lettuce to a palm tree, as a portress to Semiramis.

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